Boho present an interactive steampunk style science-fiction theatre work based on the 19th century economist, meteorologist, logician, musician, programmer, 3D photographer, philosopher and cloud-maker, William Stanley Jevons.
The above is a quote from the advertising for True Logic of the Future by the Boho Interactive performance group. I was quite puzzled about what to expect. Seeing as I work in the centre where the play is being performed, I had an early sneak peak at the set which was enough to convince me this was going to be something different.
Things start out differently from the moment you walk through the door of the 'theatre' (actually it's a dance studio that sometimes doubles as a performance venue). The bulk of the area is closed off by a wall and you have to walk around the outside of it in growing darkness until finding a doorway that lets you into the performance area. You then actually walk through the performance set to get to your seating.
The first impression is of a nineteenth century setting, yet the electronic music playing unobtrusively and a crackling, distorted voice-over, gives a steampunk feel to things. From here I have to be careful what I say lest I be guilty of spoilers.
Despite the nineteenth century appearance and dress, it soon becomes apparent that the play is actually dealing with a near-future scenario. Even my nemesis, my former employer, the Awful Bloody Shithole - sorry, I mean the Australian Bureau of Statistics - gets a mention. The consequences that the characters are dealing with are decidedly dire.
The audience becomes part of the performance, being a truly interactive experience. A lot of work has been put into developing this very interesting, thought provoking and well presented performance - definitely worth checking out either at its season at the Belconnen Arts Centre that finishes on July 18, or next month at the Powerhouse Museum in Sydney.